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Complex Systems Summer School 2011-Projects & Working Groups

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Revision as of 02:57, 14 June 2011 by Martingould (talk | contribs)
Complex Systems Summer School 2011

If you'd like to work on a project with other members of the group, please use this page to organize your thoughts and efforts. We'll schedule a time when we can show off your work towards the end of the program.

Keywords

Hey Guys! Some of your research interests have been entered. Hopefully this can give us a better idea of what we are studying, and how we can collaborate for the final challenge. They are organized in a google doc for sorting, searching etc, and all should have editing privileges. Sorry for typos! Feel free to cut and paste into excel, etc.

CHECK BACK FOR A NETWORK OF OUR INTERESTS!!!!!!

-Clio


Meeting with Geoffrey West

A group of us were interested to continue a discussion with Geoffrey West following his lecture this evening. We will be meeting over lunch next Wednesday 15th June at SFI in the medium conference room. Please add your name to the below list if you would like to attend.
Nadja Kunz
Martin Hilbert
Shweta Singh
Fran Moore
Matteo Gagliolo
Kevin Carlson
Raghad Chawla
Jacob Jensen
Cristina Metgher
Alejandro Fajardo
Lydia Smith
Antoine Allard
Michael Sachs
Nicolas Paez
Christian Gunning

Potential Project

I'd like to play around with the idea of using chaotic attractors to create music, as introduced by Liz Bradley. If anyone else is interested, please say so below! Ideally, I'd love to create a new piece of music (perhaps even recording a few of the budding musicians at the summer school if possible!), pull the individual parts of the composition apart and then use chaotic attractors to put them back together in new (and constantly evolving) ways. I have music production software on my laptop that we can use as a backbone, but we'd need to work out how to program something so that the differential equations controlled it (or otherwise figure out how to use the DEs to make a composition that we then record within the software - perhaps an easier option!) I'd like to hear other people's ideas about what elements of the piece the chaotic attractors could be used to manipulate - Liz's example only used them to re-order pitch, but I'm sure there are other things that we could do too. Hopefully this could be a project that we could play with in our spare time - I'm also looking to join in with a more academic project too, but I think this could potentially be a very enjoyable side-project. -Martin Gould